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Reviews

“This is a truly lovely disc of overwhelmingly tuneful and superb music given a refreshing extra dimension in these brilliant transcriptions.”
   MusicWeb International, Steve Arloff

“Cohler plays with a gorgeous sense of legato, and pianist Rasa Vitkauskaite is well-attuned to Schumann’s idiom…Cohler’s playing is exemplary—his control, phrasing, and technique are faultless…Cohler plays with a vibrant, supple sound colored by a light vibrato and reminiscent of that of the late Harold Wright—not surprising, since Wright was Principal Clarinet of the Boston Symphony when Cohler was a student in Boston, and in fact was one of his teachers. He plays with complete READ MORE… Recommended.”
   —Fanfare, Richard A. Kaplan

“inspired musicianship and excellent technique…He fills each score with warm, sincere lyricism; and he grabs the listener with great charisma and vigor…Vitkauskaite is very much his equal, rendering the music with the poise, prowess, and expressive nuance of an experienced soloist.”
   —American Record Guide

“It is always a pleasure to review a clarinet CD where you can forget about the clarinet and just enjoy the music. Jonathan Cohler’s new recording, Romanza, is such a CD…Cohler’s playing on this CD is marvelous. His tone is light and flexible, and the intonation is impeccable throughout. The ease of the high register passages in the Prokofiev sonata is particularly impressive…Cohler’s technique and READ MORE… the Prokofiev performance here is the most convincing and satisfying I have heard.
    I would be remiss if I did not praise the first-rate playing of pianist Rasa Vitkauskaite, whose refined musicianship and collaborative skill are more than amply demonstrated on this CD. The recording READ MORE…
   —The Clarinet Magazine

“beautifully put together transcriptions…radiant tones…Vitkauskaite takes full advantage of the opportunities for virtuosity. [Cohler] and Vitkauskaite play this Classically grounded modern sonata [Prokofiev] with a robust approach and consummate virtuosity.”
   —Maria Nockin

 
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